Ferdinando Fuga’s Prestigious Touch Uncovered at Palazzo d’Avalos
Naples, March 22 – The prestigious hand of Ferdinando Fuga, the celebrated Florentine architect known for his work in Naples, has been discovered among those who directed significant 18th-century works at the aristocratic Palazzo d’Avalos in Chiaia. This historically and scientifically significant revelation emerges as the Palazzo d’Avalos embarks on a colossal restoration project, overseen by the Superintendence, and opens its noble floor to the public for the first time thanks to the FAI (Fondo Ambiente Italiano) Days.
Fuga, who arrived in Naples in 1751, was commissioned by Charles III to shape the architectural vision of a modern Naples, notably with the construction of the Albergo dei Poveri. His involvement in Palazzo d’Avalos adds another layer to the rich history of this site.
Archival Discoveries Shed New Light
The groundbreaking news was shared by Francesco Carignani, Head of the FAI Naples Delegation, following the examination of previously unstudied documents from the family archive. Both the Palazzo and its invaluable archival papers were rescued from degradation and dispersion after a prolonged investigation by the Corriere del Mezzogiorno and the mobilization of the Portosalvo Committee. The Ministry of Culture intervened, enforcing adherence to the Cultural Heritage Code for the noble floor and the camellia garden.
The archive, which had been stored in an industrial warehouse in detergent boxes, was recovered by the Superintendence of Archival Heritage, led by Gabriele Capone, and entrusted to the State Archive of Naples, then directed by Candida Carrino. The Ministry of Culture subsequently funded its inventory, which also facilitated the exhibition of some rare pieces in an initial display at Palazzo Carafa.
It is from this trove of strategic information for European history, still largely unexplored, that Carignani extracted the unprecedented data: “The existence of payments to Ferdinando Fuga in one of the envelopes related to the 18th-century works of the Palazzo sheds new light on the history of an already extraordinary site before this further, excellent presence.”
Coincidence with Fuga’s Arrival in Naples
Until now, it was confirmed that the Palazzo, originally built in the 16th century, underwent alterations in 1751 by the Neapolitan architect Mario Gioffredo. The coincidence with Fuga’s arrival in Naples in the same year is particularly noteworthy. The “Libro della fabrica del Palazzo grande sito nella regione di Chiaia di proprietà della Casa eccellentissima del Vasto,” covering the period from 1777 to 1798, contains a register detailing the accounts of all artisans and workers who carried out the works under the direction of Ferdinando Fuga and Pasquale De Simone. This indicates a sustained period of Fuga’s oversight.
Ongoing Research and Future Prospects
The research is in its nascent stages and is expected to yield further significant discoveries, accompanying the rebirth of this prestigious building. The lavish, protected noble floor has attracted the interest of high-profile entities and institutions, which have entered into negotiations for its acquisition.
The Superintendence for Archaeology and Fine Arts of Naples, led by Rosalia D’Apice, is finalizing details, which, once known, will likely lead to a decision after the summer. There is a clear intention that, regardless of the acquirer, the relationship with public enjoyment will be one of dialogue with the city’s cultural soul. This includes periodic openings for art and music events, as well as guided tours of the frescoed spaces that bear witness to Naples’ grand history, much like what is currently happening thanks to the FAI.
The ongoing restoration is a testament to the commitment to preserving Naples’ rich architectural heritage and making it accessible to a wider audience. The discovery of Fuga’s involvement further elevates the historical and artistic importance of Palazzo d’Avalos, promising a deeper understanding of its past and a vibrant future as a cultural landmark.